72nd Year! 
72nd Year!
The Whole Story of The Famous Kinema Ballroom Dunfermline
(and the Cinemas of Dunfermline & Rosyth)
72nd Year! |
| Biogz 'J'
Here you will find some short biographies (biogz) of solo artists whose surname commences with this letter or bands with names commencing with this letter (omitting any commonly used prefix such as 'The'). Click on the name below or scroll down the page at your leisure. Jackie and Bridie
Jacqueline McDonald Jacqueline McDonald and Bridie O'Donnell were a folk duo formed in 1964. They were originally known as 'Jacqueline McDonald and Bridie O'Donnell', however this was soon shortened to the snappier 'Jackie and Bridie', then finally to 'Jacqui and Bridie' though for some bizarre reason their appearance at the ballroom on Tuesday 11th April 1967 was billed as Bridie and Jacqueline. They have the accolade of being the first full-time British female folk-song duo. While sadly, Bridie is no longer with us, Jacqui is still providing a monthly folk club in Liverpool on the 3rd Tuesday each month at Sefton Park Cricket Club.
Charlie Harcourt - guitar, keyboards, vocals Formed by Lee Jackson after The Nice split in 1969, they built a good live reputation by touring relentlessly, and produced a more pop flavoured sound than The Nice. Mike Giles had drummed for King Crimson. They released one single and four albums between 1970 & 1973. Jackson joined a reformed 'Nice' in 2002. Info from: ‘The Tapestry Of Delights Revisited’ by Vernon Joynson.
Jack Jackson developed the pioneering approach to the radio disc jockey’s art that influenced such disciples as Kenny Everett and Noel Edmonds. (Born: Horsley, Derbyshire, 20 February 1906, Died: 15 January 1978) Long before he developed the pioneering approach to the radio disc jockey’s art that influenced such disciples as Kenny Everett and Noel Edmonds, Jack Jackson was a trumpeter for Ambrose, Jack Hylton and Jack Payne. He formed his own band in 1933 - with ‘Dancing In The Dark’ as his signature tune, a residency at London’s Dorchester Hotel, and Al Bowlly among the featured vocalists – and began a Radio Luxembourg series with his band in 1939. The outbreak of war dispersed the musicians, and although they reformed after the war, Jackson retired as a bandleader in 1947 and turned to radio compering, both on Radio Luxembourg, whose Decca Records show he hosted, and the BBC Light Programme, where he launched ‘Record Round-Up’ in 1948. The seminal Jackson style punctuated pop records with comedy clips from The Goons, Bob Newhart, Shelley Berman and others, and subverted the conventional record-spinning format with pre-recorded assemblages on tape, which featured quick cutting to humorous effect and his own linking comments. He presented other radio programmes such as ‘Housewives’ Choice’, and ‘Rooftop Rendezvous’ and ‘Cabaret Cruise’, among others, on television. In 1960 he emigrated to Tenerife, recording his shows in a home studio, and survived, albeit briefly, the Light Programme’s replacement by Radio 1 in 1967. He joined Radio 2 in 1971, but in 1973, his health deteriorating, returned to live in the UK. He continued to broadcast until the year before his death. Info courtesy of: www.radioacademy.org
Tony Jackson - vocals Tony died in 2003. Info courtesy of: iwasateenagechartfreak.com
Kenny Lawson - vocals Later: They were joined by George Milne, Leslie Anderson, James Green, Martin Green, Eric Green & Sheila McIntyre. They sang and played a variety of home-made instrumentation such as the ubiquitous tea box bass and Mrs. Green’s washboard and embarked on a series of local gigs often with attendant travel problems. Various other commitments forced the early departure of Sheila, Leslie, George and the brothers Green and so Bill McKenzie (bass), Joe Mowatt (vocals) & Bill Murray (drums) were recruited to their ranks along with a change of name to 'The Apaches' after the Shadows’ hit. They became the North Of Scotland Rock Champions in 1961 and soon came under the direction of Albert Bonici (a highly successful promoter in the north-east of Scotland) who secured many local support duties for the band. Later Joe Mowatt left and was temporarily replaced by John Stewart (vocals) for the duration of the school holidays. A more permanent replacement came in the shape of Kenny Lawson & Margaret Riddoch (vocals) and Ian Young replaced Bill Murray (drums). It was at this point they elected to turn professional so Albert decided to re-image the band and promote their Scottishness as a gimmick. They adopted traditional highland garb in Hunting Stewart tartan at a cost of £80 each and changed their name to 'The Jacobeats' to suit. Six months of intense rehearsals followed with some local warm-up gigs before they went off to Germany in 1964, as had so many others. After a series of performances there Margaret Riddoch left to get married and the band returned home. She was subsequently replaced by sisters Lorna (18) & Dierdre Cameron (16) on vocals. Rumours of tours abroad and even an appearance on the Ed Sullivan Show evaporated though they did venture to Newcastle & Birmingham. Rennie was forced to leave following medical advice and MacLennan left to take up professional photography. They took advantage of the demise of Eddie Leppard & The Leopards and acquired Rae Rogers (bass) and Bonici brought in Graham Nairn (guitar). The reincarnated Jacobeats resumed extensive touring but eventually the spark went out and they split. Researched from ‘Fit Like, New York?’ – Peter Innes.
JALN Band (Just Another Lonely Night). Charlie Sylvester UK/Jamaican Black disco / funk / reggae band from the latter half of the 1970's. They were discovered on a British TV talent show called 'New Faces' which thet won. Charted three times with: 'Disco music (I like it)' 1976 #21, 'I Got To Sing' 1977 #40 and "Get Up (& Let Yourself Go)' 1978 #53. A further four singles failed to chart. Four albums were released in total.
Jayne (Collins)
Jayne began her recording career as Jayne Collins in 1985 with singles like 'Madonna's Eyes' & 'No Turning Back' and later became just 'Jayne' for later releases such as 'In My House' which she promoted during her support slot for 'Big Fun' during the 'Hit Man & Her' recording in Hollywood Boulevard on Saturday 04/11/1989. This song was produced by Frank Fabian (Boney M). She reclaimed her surname once more for her 1995 release, 'No Turning Back' written by Mike Stock and Matt Aitken for the 100th episode of the popular television series 'Baywatch' which included a guest appearance by Jayne portraying an aspiring pop singer who, after rescuing pop tycoon Richard Branson while he is attempting a world record-breaking stunt, gets the chance to make a record.
Jimmy James - vocals When they supported The Who, all their equipment was stolen and Pete Townsend replaced the lot to ensure the show would still go on. A solo career followed though he still maintained the ‘Jimmy James & The Vagabonds’ name. The first ‘solo’ hit was 'I'll Go Where Your Music Takes Me' which hit #23 and the last was ‘Now Is The Time' at #5, both in 1976. The albums 'I'll Go' & ‘You Don't Stand A Chance (If You Can't Dance)’ however did not chart. Jimmy still does cabaret shows.
The JB Memorial was the new name for The Falcons after they split in 1968 and subsequently reformed. They played at the ballroom twice in September 1969 and turned professional. The band continued to play until at least 1971. They have recently reformed once more as The Falcons for occasional gigs and played some local venues in 2005 and The Carnegie hall in 2006 with 'Lights Out By Nine' & 'The Steve Agnew Band'. They still play regularly.
Jefferson (Geoff Turton) ex 'Rockin' Berries' & 'Sight & Sound' began a solo career in 1968, singing mostly ballads. He released one album, 'The Colour Of My Love' (1969) and some nine 45's between 1968 & 1975. He released one single under his own name called 'Don't You Believe It' (1968). Info from: ‘The Tapestry Of Delights Revisited’ by Vernon Joynson.
Carol Jiani (born Uchenna Ikejiani in Nigeria) is best known for the huge success of ‘Hit N Run Lover’ which became an enduring High NRG scene anthem throughout the 80s especially in the gay community. Jiani recorded several other songs though ‘Hit N Run Lover’ remained her springboard and millstone at the same time.
Bobby Speedie - lead guitar, vocals Tom Annan - drums (1978-1979) The name of Jody was the end product of a competition run in the local newspaper, The West Lothian Courier , where the winner had a day out in the studio watching the band record. Needless to say, the single was never released, although about 6 demo 7" singles were pressed. The band gigged quite successfully over the 12 months, playing on the same music circuit as Sloopy. Both bands were managed by Music and Caberet in Glasgow.
Reginald Kenneth Dwight was born on 25th March 1947 in Pinner, England. He had piano lessons from an early age and studied at the Royal Academy of Music. He was a member of 'Bluesology in the early sixties and by 1965 had released his first single 'Come Back Baby' and was touring the as a support act UK. He left Bluesology in 1967, disappointed at the takeover staged by Long John Baldry and soon found Bernie Taupin. His new stage name was an amalgam of elements of two Bluesology members names: Elton Dean & Long John Baldry. Elton and Bernie were an ideal paring as Elton was no lyricist and Bernie didn't write music. They joined DJM in 1968, earning the princely sum of around £10 / week each! His debut solo single was 'I've Been Loving You Too Long' on the Phillips label. Four other different songs would be released on 45s before he scored a chart hit in January 1971 with 'Your Song'. during this time he almost joined 'King Crimson, had a Eurovision song rejected by Lulu, released his first three LPs 'Empty Sky', 'Elton John', & Tumbleweed Connection' and played session keyboards on The Hollies' hit 'He Ain't Heavy, He's My Brother'. Oh, ... & I nearly forgot, ... he appeared at the Kinema Ballroom on St.Valentine's Day 14th February 1971, though he was never paid! (Click the flashing red lamp above to find out why!) 'Your Song' peaked at #7 in the UK and has proved to be probably his best loved composition. By this time he had established a backing group manned by musicians such as Dee Murray and Caleb Quaye, made the first of many visits stateside and begun to develop the flamboyant appearance he would be known for the world over. Edinburgh-born Scots guitarist Davey Johnstone joined the ranks to replace Quaye in 1972 and another enduring smash hit single followed in 'Rocket Man'. This was something of a golden era as he completely embraced and led much of the glam movement while enjoying a concentrated run of hits with 'Crocodile Rock', 'Daniel', Saturday Night's Alright For Fighting' & Goodbye Yellow Brick Road' all hitting the top ten in 1972/3. Album sales had been very healthy, however 1973/4 saw consecutive #1 hits for 'Don't Shoot Me, I'm Only The Piano Player', 'Goodbye Yellow Brick Road', ' Caribou' and his first 'Greatest Hits'. As if four #1 albums wasn't enough, he followed them with another six consecutive top ten efforts including volume two of the Greatest Hits. He made a cameo appearance as The Pinball Wizard in the Ken Russell film of The Who's 'Tommy' in 1976, the same year that brought him his first #1 single in a duet with Kiki Dee, 'Don't Go Breaking My Heart'. The tail end of the seventies saw him take a career break while he took up chairmanship of Watford Football Club. Elton's output during this period without Taupin (who co-wrote the 1978 Alice Cooper album 'From The Inside' during their time apart) seemed a trifle confused and experimental until the partnership was restored in 1983. Meanwhile his personal life took a bizarre twist when he married Renate Blauer as his homosexuality was all but common knowledge. It was however short-lived though the press had a field day as his drug and alcohol problems also became public property. Luckily he has since settled into a strong, long partnership. His relationship with the press has stabilised too as they pay homage to his unending financial support for many charities, notably for Aids for which he set up The Elton John Aids Foundation, donating all royalties from single sales from 'The One' onwards. The mid nineties found Elton writing the soundtrack to Disney's fantastically popular 'The Lion King' with Tim Rice. The huge selling albums and singles just keep coming with another run of thirteen top ten albums from eighteen released in the twenty years between 1983 and 2002. Single hits have been less consistent, though eighteen top ten scores from around fifty releases in a similar period can't be bad given the decline in single sales generally. His recent personal stability has seen him cope well with the loss of two very public personal friends in Gianni Versace and Princess Diana for whom he released a rewritten version of 'Candle In The Wind'.
Johnny Cannon (John Symonds) - vocals Later: Click here Eventually they signed to Decca after their first appearance on 'Saturday Club' though the terms were poor. Decca invested in a recording of 'Poison Ivy'/'Green Back Dollar', using session musicians and The Shades on backing vocals though it never saw the light of day. They played the ballroom on Wednesday 4th November 1964 with 'The Red Hawks' in support of 'Dean Ford & The Gaylords' who would later become 'Marmalade'. Drummer Pete Rowney changed his name to Pete Gavin after the Shades broke up and helped form and played in 'Head, Hands and Feet', 'Jodys Grind' and 'Vinegar Joe'. He also played for Long John Baldry before moving to the US where he worked as a session musician with Don Everly, Eric Clapton and Roy Orbison amongst many others. It was during this time that he also played in Joe Cocker's band. Their manager, Jack Fallon of the CANA Variety Agency was a Canadian & a world class bass player who played for Duke Ellington when he visited Europe. Sadly Jack died just before Christmas 2006. I'm much obliged to Noel Lawrence for the photograph, recording and much of the detail above and for the following anecdotes: "John also sang another dramatic ballad called "The Wedding" which was one of our show stoppers. When we suggested to Bernie Andrews, the producer who handled us under Jimmy Grant on BBC Saturday Club performances, that we put it on the show he was forced to take the request to the BBC legal department because it contained the words "Ave Maria". Fortunately the decision was "Yes" and the BBC received sacks full of mail in response, 99.9% of which were positive". "The next time we performed on the show and after staff taking almost a week to sort the mail, Brian Mathew read some of the many cards and letters they had received about this rendition. The very first card he read, totally unknown to anybody at the BBC, was from my mother! If you can imagine me driving the bands mini bus up the M1 on our way to a gig in Doncaster, listening to Saturday Club (which was all recorded previously) and out of the blue hearing a card from my mother you might appreciate the shock it caused". ( Noel Lawrence)."My father didn't speak to me for the three years I was in the band because he thought I should have pursued academics first. However, when he died my sister found a scrapbook of all the pictures and newspaper articles that he had collected with comments written in his handwriting". ( Noel Lawrence).Ghoulz (2006) & Noel Lawrence
Jim Johnstone & His Broadcasting Band The Jim Johnstone story starts in the East Lothian town of Tranent. Dad, George, and uncles John, Alex and Bob all played 5 row Continental accordions with George and John broadcasting regularly together before the war. After demob it was John, Alex and Bob who got together and formed a band. After an audition, regular broadcasts were to follow with a three accordion front line. It was at the age of 9 that Jim started lessons with Tranent 5 row accordionist Bobby Anderson, a former pupil of Peter Leatham. After a year of steady Jim became a pupil of Peter's daughter Chrissie Leatham. Later Jim, now 13, was persuaded by his dad to reply to a radio advert looking for young musicians to broadcast. Having passed the audition his broadcast got under way on 'Children's Hour' in May 1950 with 'Dundee City Police Pipe Band', McDonald's Awa' Tae the War' and 'The Black Mask Waltz' with variations by Tolafson. Two years later and Bobby Colgan bought a drum kit from a relative and together they started taking on wee dances and weddings. Soon another local accordionist and neighbour, Willie Donaldson, joined to play second box. Dad offered great encouragement and passed on jobs he was unable to do himself, always enquiring later how the lads had got on. "We got on that weel you're no' getting' back again" would be Jim's tongue-in-cheek response. Gradually, as the band were offered bigger and better jobs, additional players were added. On piano was Archie Horn from Port Seton formerly of the Tim Wright band and an expert at arranging modern ballroom dancing. On fiddle, and a first timer on the band scene, was Peter Innes, also from Tranent, a great fiddler and music reader. Jim did his National Service in the R.E.M.E. & back in civvy street Jim was initially invited to join the 'family band' led by uncle John, which for a short time therefore had a four accordion front line. John retired from the band shortly afterwards, however, and the revised line-up lasted until 1962 when Jim was asked to do a broadcast with two days warning, but the broadcast went well and he was asked to join the band shortly afterwards. The line-up at that time was Andrew Rankine , Ron Gonella and Jim with Billy Thon, Tom McTague and Bill Hendry (Falkirk) in the back line. In 1963 Andrew announced that he was emigrating to Australia so Jim left to form his own band with Alan Johnstone on fiddle, Robin Brock on bass, Davy Flockhart on piano and Bobby Colgan on drums. After a successful audition they did their first broadcast in August 1963. Around 1965 this band split up and Jim joined Jimmy Shand full time after giving up his job at the garage and was shortly afterwards joined by Bobby Colgan on drums. In 1967 he started an 18 month spell with Jimmy Blue's band after the departure of Mickie Ainsworth. In 1968 Iain McFadyen approached Jim and asked him to form a band to carry on the White Heather Club in theatres and on TV. Initially he could only offer 10 weeks work but by the time they started that had risen to a year. This was the band of the 'Measure of Scotch' era with Pam Brough, Billy Craib, Billy Thom and Tommy Lees, originally from Kirkcaldy, on second box. Work rolled in during this time with the band frequently playing six nights a week. After the demise of the White Heather Club other TV work followed. First the now almost forgotten 'Take the High Road' then the long running and highly successful 'Songs of Scotland'. Inevitably the band line up has changed over these last few years with the emphasis being perhaps more on bringing in young players. Neil Barron, Neil Caul, Ian Hutson and of course "the baby of the band" as the show's host Bill Torrance calls her, Marie Fielding.
Ronny Sigo - guitar Ronny Sigo & Jos Clauwers formed young Belgian band 'The Jokers' (from Antwerp) in the late fifties and played mostly instrumentals in The Shadows' vein to the point where their guitarist Ronny Sigo is often described as the Belgian Hank Marvin. Their singles were formulaic in that the 'A' side was usually instrumental pop/rock coupled with a slower, perhaps smother flip. Their success spread across much of mainland Europe and Japan, releasing records in Belgium, Holland, Japan, USA (where they were known as 'The Fabulous Jokers') Germany, France, Italy, New Zealand & Spain. They recorded an album in Spain, with stereo sound in 1962 which was still very novel at the time. Their worldwide album sales exceed 850,000 despite lack of recognition in the UK. They softened the sound in 1967 and by 1969 they had called it a day though Sigo continues to use the name to release new recordings made with session musicians.
Chuck Fleming – fiddle, mandolin The JSD Band were formed in Glasgow, Scotland in 1969 and were often ranked alongside their electric/folk contemporaries such as: Fairport Convention, Pentangle, Trees and Steeleye Span. They toured extensively the folk clubs, pubs and concert venues of the UK, Europe & the USA in the early seventies, acquiring a fine live reputation and appearing alongside such luminaries as: The Average White Band, Status Quo, Johnny Winter, Lou Reed, Joan Armatrading & David Bowie! Their repertoire extended to Irish, Scottish, English & American traditional reworkings alongside some fine original compositions and their debut album ‘Country Of The Blind’ (1971) is very hard to find now and quite collectable though their best work was yet to come. They were soon championed by BBC radio’s John Peel who played them frequently and wrote sleeve notes for albums two & three. They moved to London and released a second, eponymous album ‘JSD Band’ (1972) which sold in excess of twenty thousand copies. Despite support from two ‘Cube’ singles: ‘Sarah Jane’ / ‘Paddy Sticks’ (1973), & ‘Sunshine Life For Me’ / ‘Reel Cool’ (1973), the third album ‘Travelling Days’ (1973) was not so successful and sadly the group split in July 1974 after Fleming left (to be replaced by Iain Lyon from 'My Dear Watson') a final single ‘ Hayes And Arlington Blues’ / ‘Cuckoo’ and an unimaginative renaming as 'The New JSD Band'. Happily though, 23 years later in 1997, Coffield, Divers, Finn & Fleming reformed, adding Rob Mairs to the line-up. They have released two new albums: May 1997’s largely acoustic versions of old favourites ‘For The Record’ and May 1998’s electric ‘Pastures Of Plenty’. They played the ballroom six times between 1971 & 1972.
Alan Atkins - lead vocals The Judas Priest we all know was formed in Birmingham, England in September 1969 by Kenneth 'KK' Downing and Ian Hill from the ashes of a previous short-lived band of the same name. They produced a fairly standard product of leather-clad, angry, posturing, stereotypical metal fare and became one of the characteristic bands of what became known as NWOBHM (New Wave Of British Heavy Metal) in the mid to late seventies. Glen Tipton joined from 'The Flying Hat Band'. Famously in July 1990, they would face one of the most preposterous court cases to be heard anywhere, when accused of lacing tracks from the 'Stained Class' album with subliminal satanic messages resulting in the encouragement of two fans to commit suicide. Thankfully sense prevailed and they were found not-guilty having acquitted themselves admirably. They have remained fairly true to type, never straying far from what they know best with only a couple of experimental diversions. In October 1992 their charismatic front man Halford left to form 'Fight' and eventually 'came out' to declare his homosexuality. The public were not shocked. They have since reformed in 2003 and toured the world in 2004, releasing a new album in 2005. They continue to tour & record.
Glenn Campbell - guitar, mandolin, percussion, vocals Chris Mercer - saxophone, keyboards Loughty Amao - drums Ray Owen - vocals (1969) Neil Hubbard - guitar (1969) Mick Moody - guitar (1969-71) Keith Ellis - bass, vocals (1969-70) Jim Leverton - bass (1971) Paul Williams - percussion, vocals (1970-1971) Pete Dobson - drums, percussion (1969) Rod Coombes - drums, percussion (1970-1971) Ron Berg - drums Andy Pyle - bass Jean Roussel - keyboards Juicy Lucy were a blues/rock band formed in 1969. Mick Moody left to join 'Whitesnake' in 1978. Following the settlement of a legal row over the name 'Juicy Lucy' in 2004 they were back recording and touring with Nazareth in 2006. Albums:
Mick Wayne - guitar, vocals A rather short-lived heavy rock band whose members backed David Bowie on his album Space Oddity. Founded by Mick Wayne in London in 1968, they quickly signed a record deal with Denny Cordell/Tony Visconti Productions. They were managed by Blackhills (T.Rex / Pink Floyd, etc.), who organized the Hyde Park concerts, and Junior's first gig with Traffic. Many other gigs and benefits followed closely, such as the Marquee, Roundhouse and Middle Earth in London and then various venues and festivals up and down Great Britain and Europe including Star Club Hamburg and Beat Club TV in Bremen.
Jimmy Justice (& The Exchequers)
Jimmy Justice probably did not realise his full potential because of a lack of original material and poor decision making. However, he had one of the richest sounding voices in the UK during the early 1960s- even if it failed to make him one of the richest singers. In fact, if you hadn't ever seen or heard of Jimmy Justice before, then his early recordings sounded more like those of an established black American than a young white Londoner. This illusion was reinforced by the choice of material used for his record releases which were mostly remakes and covers of songs taken from US groups. Jim Little had struck up a chance friendship with two of the Checkmates, Dave and George Sweetman- Emile Ford's step-brothers, no less. The fact that he could sing soon came to the attention of Emile who encouraged Jimmy to form his own group and join the coffee bar circuit. Emile also suggested entering the same talent competition that he had himself previously won. This led, as it had done for Emile, to an opportunity to record with the Pye record company and with Emile's help on production his first single "I Understand Just How You Feel" was released. This was credited to 'Jimmy Justice and Jury' although the backing musicians were really the Checkmates. Pye tried again with more singles and the pop wizard, Tony Hatch, was brought in to do the production. Jimmy's third release didn't quite reach the charts but did sell well and it's surprisingly easy to find a copy. This song was a cover of the Jarmels' "Little Bit Of Soap" and could be viewed now as a template for what was to come. Hatch chose the Drifters' "When My Little Girl Is Smiling" next- which on the face of it was a hopeless cause- being up against not only the original, but also another well made cover from the established British star, Craig Douglas. Nevertheless, the Justice version managed to share the honours of a #9 chart entry with the more experienced Craig. The next release produced Jimmy's biggest UK success, "Ain't That Funny". It was a song that had been written by Les Vandyke and Justice was presumably lucky that the song had come to him rather than Eden Kane with whom the songwriter was closely associated at the time. After this splendid original, it was back to the US group catalogue with "Spanish Harlem", which turned out to be Jimmy's final UK chart entry. Sadly, the choice of Jimmy's following material was really not good enough for the competitive UK market. He had a little more luck on continental Europe and in Scandinavia, where the B-sides of some of his releases proved popular- and probably should have previously been released at home as the A-sides. As a result of his disappointment in the UK, Jimmy spent the following years in Sweden and his promising beginnings in the UK were allowed to fade away. Info courtesy of: www.45-rpm.org.uk The Exchequers were from Liverpool Jimmy Justice & The Exchequers released a 7" single on Pye Records in 1964 called "Don't Say That Again" and recorded Neil Sedaka's 'Since You've Been Gone'.
|
|
